The Atomos Shogun Studio 4K Monitor / Recorder combines two color-calibrated 1920 x 1200 resolution displays with 4K video recording and edit-ready codecs in a 3RU chassis with removable rack mount ears. This configuration is well suited for live event, studio, and on-set DIT work. The Shogun Studio utilizes 4K HDMI and 12G-SDI inputs to record clean output signals at resolutions up to UHD 4K (3840 x 2160) at 23.98, 24, 25, 29.97, and 30p, as well as Full HD (1920 x 1080) video up to 120 fps when used with capable cameras. The Shogun records 10-bit, 4:2:2 UHD 4K and HD video to Apple ProRes HQ, 422, or LT formats. It can also record HD video using Avid's DNxHD format and UHD 4K video using Avid's DNxHR. Video is recorded to single or raided 2.5" HDD and SDDs for fast and reliable write speeds.
As a monitor, the Shogun features a 7" IPS capacitive touchscreen display with resolution of 1920 x 1200. It is Rec. 709 color calibrated and supports multi-frequency operation (48/50/60 Hz) for monitoring of a variety of input frame rates. An SDI loop output is available for passing the signal to an additional monitor. As an added convenience, 4K signals can be internally down-converted and output in 1080p at the same frame rate.
The Shogun Studio supports Tally function, custom 3D LUTs, Genlock In for multi-camera syncing. There are also a variety of onscreen tools to help you set up your shots, including a full waveform monitor, RGB parade display, vectorscope, focus peaking, and framing, focus, and exposure assisting tools. With two slots, one for each monitor, for a master recording caddy, you can simultaneously record the signal being fed to each monitor.
Note: The SDI trigger is manufacturer-specific - you will need to select your camera make from the menu to enable
DISPLAY | |
Screen Size | Dual 7.1" capacitive touch panels |
Resolution | 1920 x 1200 |
Screen Type | IPS LCD |
Viewing Angle | 179° with 100% sRGB color accuracy |
Color Gamut | 100% sRGB calibrated to Rec 709 with infinite 3D LUT conversion including BT-2020, DCI-P3 |
Bit Depth | 8-bit |
Brightness | 400 cdm² |
Contrast Ratio | 800:1 |
Tally Light | Front |
MONITORING | |
LUT Support | 3D LUT in .CUBE format |
LUT on Output | On screen |
RECORDING | |
Modes | Pre Roll |
Formats | 4K-DCI: 24/25/30p |
Codecs | ProRes HQ, 422, LT |
File Type / Wrapper | .MOV |
Pull Down | 24/25/30pSF > 24/25/30p (2:2 pulldown) |
RAW Formats | C500 |
Resolutions from RAW | 4K, UHD, HD: 120/60 |
Simultaneous Recording | 4K ProRes & 2K/HD ProRes |
Convert or Duplicate Files | 4K Avid to 4K ProRes |
INPUTS / OUTPUTS | |
Input | Per Monitor |
Output | Per Monitor |
DRIVE SPECIFICATIONS | |
Drive Slot | 2 channels |
Drive Type | Qualified 2.5" drives supplied in Master Caddy |
Drive Format | exFAT |
Connections | SATA |
Hot Swap Support | Yes (between channels) |
INTERFACES | |
Control Type | AtomOS Capacitive Multi-Touch |
Front Panel Buttons | Power: 2x (one per monitor) |
Jog/Shuttle | On screen |
RS422 Remote | Yes |
Ethernet Control | Remote: Yes (AMP) |
Scheduling | Yes: Rec / Play |
Gang Control | Yes |
GENERAL | |
Power | Dual Redundant Power Supplies: IEC c14 PSU FCC, CE, CCC UL, PSE (external Adaptor) |
Operating Temperature | -22 to 104°F / -30 to 40°C |
Rack Height | 3 RU |
Dimensions | 19 x 5.2 x 8" / 482 x 132 x 202 mm |
Weight | 8.2 lb / 3.7 kg |