The SCHOEPS MONO CMC 6 SET : WITH MK 41 is a Colette Series modular mono supercardioid condenser microphone bundle with a low-cut filter designed to provide consistent directionality and transparent, low-distortion sound pick-up of dialog, foley, and instruments in film, television, and music production. It includes the CMC 6U microphone amplifier, MK 41 condenser capsule, CUT 60 removable 60 Hz low-cut filter, foam windscreen, stand clamp, and polished wood case. The microphone features a transformerless Class-A output stage and supports 12V or 48V phantom power.

Key Features

• Supercardioid MK 41 Condenser Capsule
• CMC 6U Microphone Amplifier
• Removable 60 Hz Low-Cut Filter
• Transformerless Class-A Output Stage
• Consistent Directionality
• Supports 12 or 48V Phantom Powering
• Includes Foam Windscreen and Stand Clamp
• Includes Polished Wood Case

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Schoeps CMC6-U 12-48 Volt Phantom Power Supply and Output Stage for Colette Modular Capsules

The Schoeps CMC6-U is a balanced output stage and +12 to +48V phantom power supply for the Schoeps Colette series modular capsules. The transformer-less output stage ensures low-noise and pristine audio reproduction throughout. The CMC6-U is terminated with a standard balanced 3-pin XLR connection for use with standard microphone inputs and preamplifiers.

Schoeps MK 41 Supercardioid Condenser Microphone Capsule

The matte gray Schoeps MK 41 is a supercardioid condenser microphone capsule designed to deliver minimal coloration and accurate capture of speech and music for sound recordists and audio engineers in film, television, and video production and studio recording sessions. The supercardioid polar pattern offers enhanced attenuation of off-axis SPL and consistent directionality throughout its 40 Hz to 20 kHz frequency range, which naturally rolls off sub-bass frequencies.

• The MK 41 is compatible with Schoeps Colette microphone amplifiers and requires no tools to install
• Designed for use with Schoeps Colette microphone amplifiers such as the CMC 6 U, CMC 5 Vintage U, CMR, and CMBI
• Ideal for music and speech
• Supercardioid polar pattern with highly consistent directionality throughout its frequency range
• High directivity comparable to that of a short shotgun microphone up through midrange frequencies
• Off-axis sound is attenuated even more than with a cardioid polar pattern
• Decreased susceptibility to acoustic feedback

Schoeps CUT 60 Low-Cut Filter for Colette Series Microphones

The gray Schoeps CUT 60 for Colette Series Microphones provides a sharp 24 dB/oct low-cut filter at 60 Hz, which helps cut down on unwanted low frequency noise caused by wind, the boom, or a cable. In particular, pressure-gradient transducers (directional microphones) produce high infrasonic signal levels when exposed to wind. This can saturate an input transformer or an amplifier stage, and can result in loud, unwanted pops and rumble in your audio. The CUT 60 filters out frequencies that are 60 Hz and below, helping to prevent your audio from being marred by these disturbances.

• Recommended for use with the MK41 capsule on a boom
• Can be screwed between MK capsules and CMC amplifier
• Effective suppression of low-frequency wind noise and mechanical noise
• Steep filter (24 dB/oct)
• The frequency range that most speech occurs in remains unaffected 

Schoeps SG20 Microphone Stand Clamp

The Schoeps SG20 Microphone Stand Adapter is designed to stand mount microphones measuring 20mm or 21mm in diameter. The SG20 features a strong metal housing and a durable plastic clamp. Its base is threaded for 5/8"-27 stands, and a threaded adapter is included to accommodate 3/8" and 1/2" mounting. The angle is continuously variable.

Schoeps Solid Foam Teardrop Popscreen for Schoeps Colette Series Microphones

This gray Solid Foam Teardrop Popscreen from Schoeps is an acoustic foam close-speech popscreen intended for use with Schoeps Colette Series microphones, but compatible with other microphone capsules as well. It provides sufficient protection at normal speaking distances for cardioids and other directional capsules, especially when speech capsules are used. With omnidirectional capsules, it may even be used outdoors in light wind. This popscreen has minimal effect on sound quality.

• For moderate distances from the person speaking
• Can also be used as a windscreen for pressure transducers
• Negligible effect on sound quality