021 201 7250 | sales@progearsa.co.za
The MIDAS M32 LIVE : DIGITAL MIXING CONSOLE is a digital Console for Live and Studio with 40 Input-Channels, 32 Midas PRO Microphone Preamplifiers and 25 Mix Buses and Live Multitrack Recording.
Key features
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Live performance and studio recording digital console with up to 40 simultaneous input channels
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32 award-winning Midas PRO microphone preamplifiers
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25 time-aligned and phase-coherent mix buses
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AES50 networking allows up to 96 inputs and 96 outputs
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32 bi-directional channels of live recording/playback on dual SD/SDHC (cards not included)
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Up to 3 hours of 32 channel PCM recording in one session - stored as uncompressed WAV files
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High-performance carbon fibre, aluminium and high-impact steel structure
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40 bit floating point digital signal processing
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8 DCA and 6 mute groups
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8 digital signal processing effects engines
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25 Midas PRO motor faders
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Daylight viewable 7" full colour TFT display screen
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32 x 32 channel USB 2.0 audio interface
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DAW remote control emulations of Mackie Control* and HUI* protocols
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Optional wireless remote control with Midas Apps for iPhone* and iPad*
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Auto-ranging universal switch-mode power supply
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The Landmark in Console History
A close look at M32 LIVE reveals that the styling is completely new in every sense of the word. Rajesh Kutty’s automotive-inspired design elements mesh perfectly with a recognisable Midas signature, setting the M32 LIVE apart from any other console. Its beautifully streamlined and elegant form factor completely revolutionises the experience of live mixing.
The Midas M32 LIVE construction is equally impressive and is designed to offer you years of reliable performance while withstanding the demanding environment of live performance venues. M32 LIVE employs a predominantly space-frame construction, with parts of the sub-frame consisting of durable and lightweight carbon fibre and aluminium. Multiple alloys have been employed throughout to guarantee maximum component efficiency and an improved performance-to-weight ratio.
The M32 LIVE is an innovative, evolved design that brings together modern construction principles and high-tech materials into a styling destined to go down as a landmark in console history.
Processing | |
| Input Processing Channels | 32 Input Channels, 8 Aux Channels, 8 FX Return Channels |
| Output Processing Channels | 16 |
| 16 aux buses, 6 matrices, main LRC | 100 |
| Internal Effects Engines (True Stereo / Mono) | 16 |
| Internal Show Automation (structured Cues / Snippets) | 500 / 100 |
| Internal Total Recall Scenes (incl. Preamplifiers and Faders) | 100 |
| Signal Processing | 40-Bit Floating Point |
| A/D Conversion (8-channel, 96 kHz ready) | 114 dB Dynamic Range (A-weighted*) |
| D/A Conversion (stereo, 96 kHz ready) | 120 dB Dynamic Range (A-weighted*) |
| I/O Latency (Console Input to Output) | 0.8 ms |
| Network Latency (Stage Box In > Console > Stage Box Out) | 1.1 ms |
Connectors | |
| Midas PRO Series Microphone Preamplifier (XLR) | 32 |
| Talkback Microphone Input (XLR) | 1 |
| RCA Inputs / Outputs | 2 |
| XLR Outputs | 16 |
| Monitoring Outputs (XLR / ¼" TRS Balanced) | 2 |
| Aux Inputs/Outputs (¼" TRS Balanced) | 6 |
| Phones Output (¼" TRS) | 2 (Stereo) |
| Digital AES/EBU Output (XLR) | 1 |
| AES50 Ports (Klark Teknik SuperMAC) | 2 |
| Expansion Card Interface | 32 Channel Audio Input / Output |
| ULTRANET P-16 Connector (No Power Supplied) | 1 |
| MIDI Inputs / Outputs | 1 |
| USB Type A (Audio and Data Import / Export) | 1 |
| USB Type B, rear panel, for remote control | 1 |
| Ethernet, RJ45, rear panel, for remote control | 1 |
Mic Input Characteristics | |
| Design | Midas PRO Series |
| THD+N (0 dB gain, 0 dBu output) | <0.01% (unweighted) |
| THD+N (+40 dB gain, 0 dBu to +20 dBu output) | <0.03% (unweighted) |
| Input Impedance (Unbalanced / Balanced) | 10 kΩ / 10 kΩ |
| Non-Clip Maximum Input Level | +23 dBu |
| Phantom Power (Switchable per Input) | +48 V |
| Equivalent Input Noise @ +45 dB gain | -125 dB (22 Hz-22 kHz, unweighted) |
| CMRR @ Unity Gain (Typical) | >70 dB |
| CMRR @ 40 dB Gain (Typical) | >90 dB |
Input/Output Characteristics | |
| Frequency Response @ 48 kHz Sample Rate | 0 dB to -1 dB (20 Hz-20 kHz) |
| Dynamic Range, Analogue In to Analogue Out | 106 dB (22 Hz-22 kHz, unweighted) |
| A/D Dynamic Range, Output (Typical) | 109 dB (22 Hz-22 kHz, unweighted) |
| Crosstalk Rejection @ 1 kHz, Adjacent Channels | 100 dB |
| Output level, XLR Connectors (Nominal / Maximum) | +4 dBu / +21 dBu |
| Output Impedance, XLR Connectors (Unbalanced / Balanced) | 50 Ω / 50 Ω |
| Input impedance, TRS Connectors (Unbalanced / Balanced) | 20 kΩ / 40 kΩ |
| Non-Clip Maximum Input Level, TRS Connectors | +21 dBu |
| Output Level, TRS (Nominal / Maximum) | +4 dBu / +21 dBu |
| Output Impedance, TRS (Unbalanced / Balanced) | 50 Ω / 50 Ω |
| Phones Output Impedance / Maximum output Level | 40 Ω / +21 dBu (Stereo) |
| Residual Noise Level, Out 1-16 XLR Connectors, Unity Gain | -85 dBu 22 Hz-22 kHz unweighted |
| Residual Noise Level, Out 1-16 XLR Connectors, Muted | -88 dBu 22 Hz-22 kHz unweighted |
| Residual Noise Level, TRS and s Monitor out XLR Connector | -83 dBu 22 Hz-22 kHz unweighted |
Display | |
| Main Screen | 7" TFT LCD, 800 x 480 Resolution, 262k Colours |
| Channel LCD Screen | 128 x 64 LCD with RGB Colour Backlight |
| Main Meter | 24 Segment (-57 dB to Clip) |
Power | |
| Switch-Mode Power Supply | Auto-Ranging 100-240 VAC (50/60 Hz) ± 10% |
| Power Consumption | 120 W |
Physical | |
| Standard Operating Temperature Range | 5°C – 40°C (41°F – 104°F) |
| Dimensions | 891 x 612 x 256 mm (35.1 x 24.1 x 10.1") |
| Weight | 25 kg (55 lbs) |
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